Short Stories and Creative Nonfiction Essays

Wednesday, December 16, 2020

     Many magazines and contests of late seem to cater to short attention spans and toilet reading; flash fiction or 'micro fiction' seems to be the order of the day. So I have been writing shorter pieces. Here are three of them; enjoy!

Based on true events. '80s nostalgia at its best: 



            It’s fucked up. The whole thing is fucked up. I’m sprawled across the jungle gym looking up at the night sky and Scott’s spinning the wheel of his skateboard over and over and Vince is staring blankly at the sand and the sky is definitely the wrong color. The streetlights from Magnolia Boulevard catch on the underside of shapeless, sagging clouds, half-assed and piss-stain yellow. It’s like the lights don’t know any better—oblivious to what’s beyond the clouds, they don’t even try to penetrate—just settle for the chaotic jumble of electrical towers and crisscrossing telephone wires that is suburbia. 

            It’s anyone’s guess how we ended up here other than it’s as good a place as any to skate: our elementary school playground—the same choppy sandbox where I ate it on the high bar years before and split my gums open on the sand. Back then, the upper schoolyard smelled of honeysuckle and you could pluck blossoms from the neighbor’s yard through rusty chain link and dribble the clear honey on your tongue. We’d roll that dingy record player to the classroom window and blare Popcorn or The Hustle onto the schoolyard during recess because our teachers decided learning to disco dance was imperative. A year later, we’d learn that Disco Sucks and go back to Zeppelin and Halen. But even that wouldn’t stick; we’d be the generation to trade in hard rock for hardcore punk the minute the ‘80s hit.

            We’re graduating junior high in a month, and those days are fog-shrouded, fragmented memories of another lifetime. Tonight, the air is still and the scent of honeysuckle stays trapped on the upper schoolyard along with clay ashtrays and the smell of new books and paste. Suckling honey is the furthest thing from our minds; our buddy’s been shot. Fatally. And not in a glamorous way…Jimmy woulda scored more cred had some FFF punk hoofed it to Burbank, called James a poser and put a slug in him. BPO’s no threat—just a bunch o’ suburban kids with nothing to do and plenty to prove, tagging their own hood and inflicting unintentional head stomps on their own in backyard swimming pool mosh pits. Naw, FFF don’t bother with teenage skinhead posers in ripped TSOL T-shirts, madras flannel and lime green creepers. Being a suburban skate punk is a fashion statement, not a political one.

            “What a stupid-ass way to go,” Vince says finally, grabbing the Djarum nonfilter from Scott and taking a long hit. His eyes well in the dim, pukey light. Poser or not, his feelings are real.

            “No shit,” Scott comes back. His knuckles scrub the sandpapery skull where the crewcut I bleached platinum in his driveway just a week ago has been shorn. “Makes no fucking sense.”

            “It’s like those fucktards that die on roller coasters,” I hear myself say. “Meeting your maker with cotton candy in your hand—ain’t no dignity in that.”

            Scott spins that lime green wheel for the hundredth time. “That’s why I don’t have no desire to go bungee jumping. Or skydiving. Plenty of ways to bite the dust; why tempt fate?”

            “Thrill-seeking is an addiction,” I say.

            “Well, James wasn’t seeking shit. That’s what makes it fucking tragic. Dude was just tryin’ to make a buck to bring home to his ma to help pay the rent. Didn’t ask for that train wreck of a woman, neither. Shitty hand all the way around.”

            “No shit,” Vince says, sputtering clove smoke with his distaste. “You know, Fuzzy stopped by to give her some records that belonged to James. Says she didn’t give a shit. Wasn’t sad or nothin.’”

            Something’s been lost in translation. It’s not possible, I think; even the shittiest mother ain’t thatcold. 

            “Maybe she’s in shock,” I offer. 

            “You think dying with cotton candy in your hand is fucked up?” Vince is full-on crying now, digging nails into his own close-cropped buzz. “Dying in a paper hat is worse…”

             I try not to, but still I picture it—James in that paper Taco Bell hat and brown polyester, adding oat filler to the ground beef when the glass doors fly open and the thug barges in waving a pistol. There’s fear in James’s eyes as he and the assistant manager—Wayne, I think—are forced into the walk-in freezer and tied up. Only once the registers are emptied are they shot, execution style.

            “There was $625 in the register.” Vinnie grinds the clove butt into coarse sand with his boot. “$625 for two lives…”

            Perp crossed over from North Hollywood, folks claimed the minute it made news. Taco Bell sits right on the border, where pavement goes from smooth black velvet to gritty and riddled with potholes. Beyond is where drug dealers lurk in darkened, stucco-slathered mid-century cubes, waiting to sell dime baggies to your kid or shoot you in the head. There’s no crime in Burbank, the story goes; thug must have crossed over.

            The clouds sag to shake off the piss-yellow light but they can’t any more than the three of us can shake off the nightmare of what’s happened and I sniff the air for honeysuckle. Not a trace. Vince tears at the spikey ridge of platinum that bisects his skull, torn up inside, eyes rimmed with angry red. I can’t help but smirk at the irony: after all the drama BPO manufactures, the real thing has come to roost. This is more than street cred; it’s life cred.

            “I loved that guy,” Vinnie sobs, anguished. “The world feels cheap without him.”

            I let his words wash over me, a pain that seeps. But it’s something more that hemorrhages, pooling like blood on flecked linoleum in our minds’ eye: innocence. Suddenly the jungle gym is a torture rack and I’m arched across it, flayed against a shallow sky that’s not heaven but something shrouded and suffocating. The torment Vince purges is real, however image-conscious posers can be, however angst-ridden the teen gameplay that prepares us for life. This can only be the first of many disappointments to come; how is it we feel so jaded at fourteen? How can the world feel so cheap?

            Suddenly, without warning, every light in the city goes out. Even the piss yellow clouds are consumed by pitch-black ness.

            No one speaks. 



            Somewhere in darkness, glass shatters. Me and Scott have dozed off but we hear shards of it glancing off concrete some distance from the sandbox. We jump to our feet; Vinnie’s MIA. Burbank is still blacked out but the cloud cover has thinned; a harvest moon scatters tangerine light.

            “Vinnie!” Scott calls across barren asphalt, hopscotches and dodgeball courts whose thick warbly lines read like alien crop circles in the dim ambience. There’s no answer.

            “Yo Vinnie!” Scott calls again. The only reply this time is the crunch of glass beneath a rubber sole, the horrendous creak of rusty metal being forced out of whack. We look up; the din wafts from atop the highest building on the lot—the auditorium.

            I turn to Scott in disbelief. “Fucker’s breaking in!”

            Scott looks pissed. “Don’t he know this place is rigged with alarms?” The question is rhetorical, the scene all too familiar. We both recall the time Vince lost it on the bus to snow camp, then holed himself up in that cabinet beneath the sink when it was time to leave and delayed our return by several hours. Not to mention the fight he picked with three punks at a park in an unfamiliar town on the way home to Burbank. Dude’s got a history of acting out; everyone knows Vince’s ma’s no better than Jimmy’s. Only her shitty resume boasts another distinction: vacant enabler to abusive husband. Vinnie' s stepfather got his hands on him pretty early on.

            By the time we manage to climb a rain gutter and cross the cement promontory, he’s pried the window full open. He’s at the bottom of a square pit sunken into the main roof, just before the pitched Spanish tile ceiling of the auditorium. A row of tall, louvered windows separate the pit from the vaulted auditorium—he’s smashed a sizeable hole in one of them, reached in and forced it open.

            “Don’t move, Vince,” Scott calls, anger now tinged with a worry that reverberates off cold stone.

            Vince looks up, washed in the orange light of the moon, and in a flash has slipped through the open window.

            “What the fuck?” The worry in Scott’s voice borders on panic; the spindly rectangular windows float ten yards minimum above the mahogany seats and slick linoleum of the auditorium. The adjacent pit is deep—no way to jump without breaking a leg so the two of us find a rain gutter and scuttle down as fast as possible but amid the palpable urgency it feels like treading through tar.

            We hit the ground and sprint to the open window. Just inside, Vince clings to one of the impossibly tall burgundy drapes that frames each portal, swinging high above the sea of mahogany seats. The lightless cavern threatens to swallow him, ingest his pain and his last sliver of faith and the desperate look in his eye that says he’s torn.

            “C’mon, buddy,” Scott croons, kneeling now in the scattering of broken glass. His hand is outstretched, reaching into darkness.

            “It’s fucked up!” Vince sobs. The angry red rims of his eyes expand like bloody reservoirs overflowing in a rainstorm. “The whole thing is fucked up!”

            I inch closer but don’t intervene; Scott, if anyone, can reach him.

            “It ain’t just Jimmy,” Vince moans, head shaking side to side involuntarily. “It’s the whole shitty thing.”

            “What thing?” Scott’s voice has softened, surrendered authority to channel the lifelong friend that’s been with Vince since before they traded clay pinch pots for clove cigarettes.

            “LIFE!” Vinnie’s rage detonates full force, quaking the auditorium and me.

            It’s then we notice what’s in his free hand. His leather boots are tangled up in folds of burgundy velvet, one hand clutching fringe. But the other swings free, clenching a shard of thick glass from the window. It’s hard to tell in the dim light, but I think I see blood welling where his fleshy palm enfolds the jagged triangle. Scott’s eyes dart quickly, nearly imperceptibly, in my direction. I wonder if it’s a signal to take some kind of action, whether Vince plans to slash a wrist or the drapes or if he wants to be helped like all those times at snow camp.

            “You’re not James,” Scott says gently, his words hanging on the air disembodied and ambiguous. “You can choose life.”

            Vince’s head jerks, more violently than before. “But what’s the fucking point? If it can be taken away in a split second with a single bullet?” His eyes lock with Scott’s, flashing moist with desperation and defiance all at once.

            Scott’s croon no longer emanates from childhood, but from a place of wisdom far in the future. “That’s the whole point,” he whispers, trembling fingertips at last reaching Vince’s in the hollow dark. “It’s precious.”

            Scott reminds him of all the plans the two have made—to skate the FDR skatepark in Philadelphia—best in the country—to see the Grand Canyon and one day the Serengeti, to get out of Burbank and make it big and eventually buy his ma a nice house and get her away from that bastard who was really what made life cheap.

            Vince loosens his grasp on the shard of glass and it clatters to the cold tile far below. I wrap my arms around Scott’s torso to lend leverage and brace him in hoisting our friend to safety. As Scott cements his hold on Vince’s strained forearms, I see it clear as day: whether Vince ever saves his ma or not—if we even can save another—whether Scott can be the one force that un-cheapens life for his childhood comrade, it’s in the trying that we save ourselves.

            Once Vince’s boots meet solid ground, Scott enfolds him in wiry fourteen-year-old arms and they stand that way for a long, long time.

            We return to the sandbox. Incredibly, the cops never arrive—must have bigger delinquent fish to fry in a blackout. Or maybe there was no alarm at all.




            I awake with a mouthful of sand, to the whir of a spinning skateboard wheel.

            “C’mon…get up!” Scott’s panicked. “My mom’s gonna kill me.”

            We’ve fallen asleep, the three of us, and woken to a chorus of birds and the first peachy light of dawn. The cloud cover has dissipated.

            “Go on,” I tell them. “I’m gonna hang for a few.”

            The two set off, boarding across buckled asphalt toward the open gate on Cordova.

            As I watch them shrink, I can’t help thinking Scott and I have it better than the poor kid. When it comes to home life, anyway. Maybe Vince is not the poser after all—maybe we are, and hope is a luxury.

            Before heading home, I wander to the upper playground. The rusty chain link fence is still there but the honeysuckle is not. A new homeowner has trimmed it down so vines no longer climb the fence, flaunting blossoms. I run my fingers along the lacerating rust barbs, skimming them as if their rough texture will be proof of life somehow. A lone blossom hangs from the shorn hedge, just before the end of the fence, where rich black pavement ends and sidewalk begins—the world beyond the schoolyard.

            I pluck the stamen from the one flower that remains and dribble the clear liquid across my tongue. In an instant I am transported, indescribably, to a place before the world was cheap.

            It tastes just the way I remember it.




This piece is one of few pieces I have written this year acknowledging Covid-19; it's based on an encounter I had with wildlife in my neighborhood:


The Run of Streets



            Other than the moon’s sterling light, darkness consumes any notion of what was, any vague recollection of a world before the plague, leaving a dimming composite of dreamlike vignettes unglued by time. Even the city lights are truncated, not daring to reach into the chilling void for fear of being culled themselves, decimated like so many thousands in the rapture that’s come to reckon. What’s left is surreal—a stark, deserted ghost town once known as the City of Angels. During the day, neighborhoods once considered ‘spotty at best’ have gone to pot, sprouted litterings of urban tags sprayed in clashing hues. Silver Lake’s abandoned reservoir has quickly grown over with muck, absent maintenance. Tonight, along with blackness, an eerie silence snakes between the rows of vintage streetlamps that sag in strings along with hilly pavement. The art nouveau lampposts are as outdated and anachronistic as dignity.

            Manuel Alvarez pulls Sheba closer on her leash as they bear west. Mid-pandemic, coyotes have the run of streets. Between the culling and the restrictions, signs of intelligent human life are non-existent on the street, after curfew anyway. It’s why he walks her at obscene hours, amid fog-shrouded orange orbs and eerie silence. No chance of running into a yuppie couple and their snot-nosed kid, or a hipster couple who think they own the sidewalk. Being immunocompromised, he’s always the one to cross the street. Out of courtesy and self-preservation both. Shit, it’s nothing new; even twenty years pre-pandemic he became aware that when it rains, he’s always the one to raise or lower his umbrella to accommodate passing strangers on a narrow sidewalk. Comes from being the youngest of four siblings in a Hispanic Catholic family, he suspects. 

            The downside to stolen late night walks is the coyotes. They appear from nowhere, bolder than ever, not slinking along the shadowy sidelines as they should, but front and center. Nothing more startling than encountering an entire pack, drenched in moonlight, trotting down the center of a deserted avenue and looking healthier than their former bedraggled, emaciated counterparts. For years, it’s been said that displaced wildlife is descending into man’s territory as he encroaches on theirs. As long as Manuel’s lived in the hilly part of town, he’s noted the ears, tails, and other assorted appendages missing from neighborhood pets. Even so, the coyotes have never looked quite so…well fed.

            He pulls the leash tighter. 

            Sheba is a mixed breed, like Manuel, her roots a mystery. She’s cute enough, for a rescue dog. When groomed, especially. But visiting the groomer is not an option right now. He fell in love with Sheba the moment he laid eyes on her at the shelter—soulful brown eyes receptive but not desperate, ears cocked askew, looking out of place among the purebreds who’d simply run away from good lives. She knew who she was. She knew her mixed heritage is what made her unique.

            The pandemic hit soon after he brought her home to his cottage-turned-artist’s studio. And in the year of solitude since, he’s never been so grateful for companionship.

            The two make their way southward on Kenilworth Avenue. The street is elevated, tracing the contour of the lake but one block up on the west side. There was a day the view of the lake below was magical when glimpsed between the dark silhouettes of houses and their manicured trees. The lights from the eclectic spangling of houses on the far side reflected on the water like streamers. Tonight the reservoir is a black void, reflecting nothing.

            Mid-block, Sheba’s fur stands. Manuel can feel it before the low growl rises in her gullet. It’s not coyotes that have her unnerved, but the chain that jangles with the sudden emergence of a neighbor on the slope above. And just as likely, the presence of another domesticated canine she can sense on instinct. Several yards above Kenilworth, a man gently closes the gate protecting his manicured lawn while keeping a loose grasp on the dog’s chain. It’s a purebred husky. An Isabella Siberian, the snow white breed with the ice blue eyes.       

            Manuel has nothing against purebreds; it’s the husky’s owner that makes his own fur stand, makes him want to turn on his heel and head in the opposite direction. It’s the developer who’s bought up half the neighborhood—vintage properties from the 1930s—and replaced them with pukey, piss yellow condos stacked one atop the other like charmless, stucco cubes of butter. Just this week, a dozen tenants were evicted from the vintage cottages on his block, displaced before the developer’s bulldozers arrive. At the worst possible moment, too, Covidally speaking. Meanwhile, the man’s own castle perches far from boxy stucco, blocks away where property values are higher and the need for multi-unit housing is nonexistent. Jeff Weber is the man’s name, and his LLC’s got a half-dozen pending lawsuits against it for rental law infractions. Not to mention those of the Historic Landmark Ordinance.

            Motherfucker, Manuel can’t help but think. The man is East Coast money all the way. The embodiment of gentrification and the enemy of his people—the true locals. Motherfucker’s the quintessence of entitlement, the poster boy for capitalist greed and exploitation and manifest destiny and a number of other fucked up societal ills that means his ilk should be the ones culled. But rather than being taken to heaven on chariots of fire in some biblical rapture, they should be taken straight to hell. It’s cleansing to imagine it, Manuel knows. He makes no attempt to swipe the thoughts away like a pesky swarm of gnats. His own peace of mind and security are at stake; just this week Jeff Weber’s goons came poking around his own unit looking for gullible tenants willing to fold for the right sum and vacate. Their thinly disguised cash-for-keys strategy is a way to avoid the hassle of abiding rental law. And to shell out less dough. There’s a reason the motherfucker drives a Mercedis and sports a Rolex at just-over-thirty.

            Manuel slows his step, taking up the leash’s slack and forcing Sheba to heel. If he plays it right, the motherfucker will go on his way ahead of them; not so much as an obligatory nod need be exchanged between the two. He reaches down to stroke his mutt, to sooth her and quiet the low growl. 

            The strategy works and the man continues on, oblivious to Manuel’s existence or even Sheba’s. Even the motherfucking dog’s senses are domesticated, Manuel thinks. Can’t even sense another fucking canine’s presence. His mind continues to reel, and not just about the developer—too young for his own fortune, probably raised with money but a crab in the boiling fucking water, oblivious to the privilege it brings. Manuel does not chastise himself for prickly thoughts; maybe he’s the crab in the boiling water, unable to recognize his own poisonous fantasies. In true form, they turn from yuppie entitlement and white privilege to the injustices of apartheid, the holocaust and slavery and the oppression of the LGBTQ community, his peeps—all the things that got society where it is: in need of reparation.

            Reparation. The word bounces from his skull to his tongue. It’s cathartic to say it.

            Manuel Alvares is not the type to project; everyone around him speculates about the great change on the horizon—the cultural paradigm shift bound to result from this apocalyptic impasse. He’s not holding his breath. For the blink of an eye when the pandemic first hit, traffic disappeared and air quality improved. Along with it came a decrease in property values, which many lamented. He welcomed it; it meant reduce rents. And the moratorium on evictions was a needed slap on the wrist to landlords. But it was not long before the enforced humanity blew over. Pandemic fatigue, as the media called it, the complacency that ushered in a second wave, a spike, meant that after a momentary lull, along with traffic and smog, the customary greed and entitlement slinked back from shadow. 

            Most frustrating of all, he’s slipped through the cracks himself. An eighteen-day hospital stay, pre-pandemic, the litany of opportunistic infections that read like War and Peace, and being discharged with a brand new AIDs diagnosis has changed life as he knew it. At the very moment when he should be digging in heels, advocating for his own survival and upping his game daily and his immune system along with it, the world goes to hell with a single microorganism. One that would pass if folks could just manage to do what he’s been doing for years: forego entitlement and isolate. It’s really not that hard considering others. In the triage mentality, he’s been utterly unable to get the care he needs to heal. Just one more card in the deck he’s been dealt. One more form of marginalization. If society had it their way, he’d be culled, too.

            The husky is barking. It’s percussive, jarring.

            A dozen yards ahead, toward the end of the block, man and dog have stopped in the middle of the street.

            Manuel can vaguely perceive it in the thick fog: a pack of coyotes has appeared from the side street, loping up from the lake below. The dozen or so of them continue on at a steady pace, cutting across the corner of a lamplit yard onto Kenilworth. The husky’s incessant barking does nothing to deter them.

            Manuel quickly turns back. He’ll take Sheba down the side street one block over and avoid whatever’s going to go down. They’ll cut down to West Silver Lake Drive and continue on around the lake’s periphery. But as they near the corner, Manuel sees that charging up the hill are another pack—or half of the first pack who’ve split away. This group equal the first in number; Manuel’s heart begins to pound.

            “HEY!” he shouts, full volume, stomping the gritty pavement. He keeps hold of Sheba’s leash, waving his arms madly to make himself as big as possible. His reaction is half instinct, half derived from tips he’s learned on network news. But such measures are meant for bobcats or bears, not coyotes who are supposed to be retiring and sheepish, who know they don’t belong in the first place.

            The pack keep charging uphill, unimpressed. They continue to advance, closing the asphalt gap. The husky is barking wildly at the other end of the block, flinging percussive anxiety to bounce cold off Tudor facades and Spanish tile. They’re yards away now. Manuel hardly has time to process the pack’s entitlement, to connect their feral resolve with an instinct to reunite the pack. He only knows in his gut that nothing is what it should be, that up is down and down is up and the animal kingdom has gone awry. A few years ago, birds stopped scattering as they should, magically getting out of the way when cars came at them, instead exhibiting some drug-induced inclination to be sluggish about it, as if ending up plastered on the grill of a Mercedis were some kind of glorious sacrifice. For that matter, it’s been a steady escalation of Twilight Zone-worthy events to make the world unrecognizable—from the dignity-stealing masks folks are forced to wear, to the election of a demagogue and the drinking of the Kool-Aid that makes strangers of loved ones. No way around it: there is a new order. Friends he once thought he knew are Trumpers, for God’s sake—the final nail in the coffin—cheering for a wall that would keep his people out. Cheering for reversal of the marriage equality briefly gifted his peeps as if it’s been nothing more than a cruel joke. And now it’s the coyotes.

            They’ve begun yipping, howling brazenly and cackling. Manuel grabs Sheba and clutches her in his arms. As much as he hates to turn his back on the coyotes, he has no choice but to retreat in the direction from which he came. But the first band are advancing from the other end of the street, cornering them mid-block. Along with the motherfucking developer, who’s backed away from the far corner with his snow white husky. For the first time, he locks eyes with Manuel, and there’s fear in them. The ice blue eyes of his Siberian flash in the dim light, obscured by fog. Both stealthy packs encroach from opposite ends of the street, blocking any escape. Manuel can feel Sheba’s heart pounding in sync with his own.

            As the two bands close in on their prey from opposite sides, their wailing unites, forming a demonic cacophony that rings out on the night. The husky barks incessantly but the sound of it is quickly masticated by the chorus of yelps and haunting wails. Still, no floodlights pop on, no headlights pan and no horns honk to stop the horror of it…the sudden lunging and snapping of jaws and the flying of fur—the slinging of crimson on ivory white there in the pale, iridescent light of an abalone moon.

            Manuel grabs the nearest thing he can find—a two-by-four protruding from a trash barrel—and swings madly. He keeps hold of Sheba but brings the board down first on corrugated pavement—it skids across impotently—then on matted fur and hindquarters, then straight across the backs of the grappling canines. When at last they scatter, the damage is done. 

            The white fur is parted, gashed, spangled with clotting blood. There is no twitching, no heaving, no real ending.

            For a moment, Manuel fantasizes it’s not the Siberian bathed in iridescent moonlight and slathered in crimson, but Jeff. He’s lying there in a pool of his own blood as he confesses he’s known all along what he was getting away with…

            “We all have a moral compass,” he purges, choking on his own blood. “I thought there’d be time to fix it. To atone. And now it’s too late…”


            The wail of coyotes is distant now, as foggy as vague recollections of a world before the apocalypse. Manuel’s halfway home, Sheba still in his arms. They were right, he thinks. There is a shift on the horizon. But it’s not what they think. The fact that up is down and down is up is part of the disillusioning heist that robs us of all we know. It’s only when we’ve nothing to lose, once we’ve been stripped of everything familiar, that we can start again. We must die to ourselves to be reborn.

            The image persists, hauntingly. Only instead of choking on his own blood, there is humanity in Jeff Weber’s eyes. He’s looking down at the blood-smattered carnage of his beloved—however privileged—husky. And then he’s holding her, in tears, cell phone tossed to the curb while waiting for animal control to arrive. Only it’s not a fantasy—it’s a memory.

            The word comes back to Manuel, as vivid and stark as blood on immaculate fur. If the world needs to make reparations for its greed, he needs to atone. For his prickly thoughts, his harsh judgments on humanity that are a glacier slow to melt. He needs to curb them, if for no other reason than the reality they manifest. He cannot unsee the night’s horror.  

            He knows the coyotes were acting on instinct. If anything, those two had it coming. That dog lost its instincts—too many baths, too much grooming. Too much…privilege. But even his own mutt is more privileged than those mangy, displaced, undomesticated coyotes. They’re the ones living off the grid, in need of reparation. 

            If we could only recognize our own privilege, he thinks, and be grateful for it. Manuel Alvarez knows there are worlds bigger and smaller than his own. That the inhabitants of all of them kick the dog, exploit what they can. At the age of seven, he saw a segment on TV about single-celled organisms that feed on one another, the micro-organisms intent on invading our bodies at any given moment, by the thousands. They live symbiotically as parasites—and a shower only multiplies their numbers. Manuel’s never wished to see the universe in terms of survival of the fittest, but it’s hard not to.       

            His mind grapples with how it’s all played out. The coyotes only took over the streets when the City of Angels retreated—capitalized on opportunity. It’s the damn pandemic. There’s been talk in the media of herd immunity. The idea that rather than flattening the curve to protect an inept healthcare system and free up hospital beds, this thing would have long since blown over if the masses went on with life…allowed the critical mass to be infected and develop antibodies. That by isolating and protecting we’re simply worsening the problem. He knows it’s just a metaphor. And he’ll never belong to the status quo by throwing in the towel on his integrity. He may be rough around the edges—a harsh judge of humanity—but if any crown that awaits him in heaven it will be for principle

            Back home, he pulls the blinds in the small cottage-turned-artist’s studio he’ll call home as long as he can. He’s grateful for it, fleeting or not. He collapses on a sagging mattress, pats his chest, and in a split second Sheba has leapt from the floor and curled up against his beating heart. The wail of coyotes is but a distant hum. He can do this for as long as need be, he thinks. Still, he considers the irony of it: foregoing touch, love, oxytocin, company—is the best demonstration of recognizing our interconnectedness. In the new order, anyway.




And finally, this piece was inspired by cobbled together news stories, an actual memoir I've read, and a fantastic thought I had while crossing Franklin Bridge in my neighborhood of Los Feliz, LA, something I do often...



            The gulch is all we know. We imagine other such worlds—hidden places among the ferns, cradled in shadow between majestic, corrugated trunks that mingle with clotted soil, firmly entrenched and reaching for the sun. But today is cloudy and there is no sun…only a colorless sheath of tea-soaked cotton. 

            If not a weighty sky to shackle us, it’s the tangle of inextricable branches, the canopy of lies. Always something to block our escape…from the narrow granite chasm that’s all we know, the dream-spell illusion that is a matrix or a prison or some other pinion-shrouded cloak of deception. They’ve fed us lies, we know. About the world and its evils—about technology and something called the deep state guvurnment—a force to whom they’ve vowed to remain invisible…reducing themselves to cockroaches that scatter for cover when the tea-stained clouds part and light pours in. We’ve been indoctrinated with it from day one, since being birthed, each one of us, by a midwife: the virtues of living ‘off the grid.’ With adolescence came the unpracticed questioning, the suspicion, the envisioning of more and the want of it. There is more out there, Sophia and I now know, beyond the cloistered, fern-choked gulch.

            The day we purged our secret imaginings, confessed our desires, we bonded. More than any brother and sister should, we’d later learn. But the reliance is all we knew—that touch that is the only grounding thing in darkness. One day, a mudslide shattered our windows and belched its stink into our den. And with it, a single book. Smudged, nearly illegible, pages puckered and warped and cover contorted. We hid it for weeks, reading from it nightly by kerosene lamp. We learned of a faraway land called Iceland. There, a rite of passage in most children’s lives is the moment one bonds with another by admitting a belief in faeries. Our contract was like that; the day we confided our suspicions a decision was made, an unspoken escape plan put in motion.

            They’re fast asleep when we pry open the upstairs window. They do not keep us chained; the fear of the world is meant to be enough to keep us here in the gulch, our pattern of compliance so convincing they’ve become complacent. Still, we force the thing open as quietly as possible on rusty, gently moaning hinges. The nearest branch is several yards away, but it’s strong enough to withstand the force of the hook we’ve fashioned, and our weight as we swing one at a time from the windowsill to cling covertly to chafing bark. The sturdy trunk is a trellis for writhing, helplessly tangled shoots of ivy that climb into the stratosphere, and us along with it, the two of us scuttling like cockroaches only into the light and not away from it. It’s nearing dusk; a tentative twinkling of anxious purple twilight filters from above. 

            At a certain elevation, a swath of Amber light bathes the magnificent ivy-spangled trunk, raking in perfect molten orbs from the sinking sun. We bask in it, forsaking urgency. We’re nearly within reach of our destination; something we’re scarcely sure exists. We both claim to have seen it on clear days when the drapes are pulled, but its image is shrouded in childhood fancy—confounding dreams with concrete memories. 

            I feel it first, fingers grasping beyond the sticky tufts of needles—a sun-warmed slab gritty to the touch. Square but rough-hewn, sturdy and affirming; it’s real. I hoist myself upon the concrete precipice then reach down for Sophia. When we’ve both risen from our haunches to stand tall upon the arched bridge, we sigh in unison.

            Rimmed with ornate lanterns, the bridge spans a gulch that is only one of many. They meander between great swells dotted with trees and scored by paved roads lined with tracts of houses. Countless automobiles scurry along these tributaries, racing to beat the sinking sun. An outcropping of buildings rises far out on the plane, a pyramid of skyscrapers. Planes soar high above, bisecting the sky and the zigzagging cirrus clouds that converge on the horizon, at last diffusing into eternity. The world is more expansive than we could have imagined.

            A small plaque is embedded in the gritty, pebble strewn railing of the ornate bridge. 

            Franklin Bridge, Los Angeles, it reads. 

            “Los Angeles,” Sophia mouths, tentatively auditioning the words on her tongue. 

            The feel of them is unfamiliar, but novel. Her gaze is on the horizon, eyes imprinted with the crisscrossing cirrus tufts and the adventure they promise.

            “What shall we explore first?” I ask her.

            She hesitates.

            “Wherever we go,” she begins, the adventure in her eyes dimming, yielding to earnestness, “we must promise each other one thing.”

            “What is it?” I ask, my own sense of adventure chomping at the bit.

            “That we will come back for them.”

            My gaze shifts, gravity getting hold of it, to the shadowy cleft below and the cottage that’s out of view but we know to be huddled between sheer granite glaciers, shrouded in foliage. Inside, our eight siblings remain prisoner.

1 comment:

  1. Oh my heart.
    So amazing, I'll need to read them again to get the full effect.